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NAGC Webinar: Music Licensing and Rights Compliance: What Every Government Communications Team Needs to Know
Government communications teams are production more public-facing content than ever: social media, PSAs, tourism reels, council streams, recruitment campaigns, and broadcast productions. But most agencies don’t realize that institutional use of music carries a fundamentally different legal exposure than personal use.
Meet Your Speakers:
Ryan Neill
CEO
PrimalHouse Media Group
Ryan Neill is Co-Owner and Chief Executive Officer of PrimalHouse Media Group, bringing over 25 years of experience in music supervision and music licensing. As CEO, Ryan oversees company strategy, licensing standards, and compliance practices for institutional, government, and commercial clients. He works closely with media, legal, and procurement teams to ensure music usage aligns with copyright requirements, platform rules, and organizational risk tolerance. Ryan‘s background in music supervision brings a practical, compliance-aware approach to creative decision-making, balancing artistic goals with defensible licensing, documentation, and long-term use considerations.
Levon Broussalian
VP Business Affairs
PrimalHouse Media Group
Levon Broussalian leads music supervision, licensing, and rights clearance for institutional and commercial clients, ensuring music usage aligns with internal policies, legal standards, and platform requirements. He oversees contract review, rights analysis, and negotiation across recording, publishing, and synchronization, helping organizations manage copyright risk and maintain compliance. With a strong creative background, Levon brings a practical, compliance-aware approach to music supervision, balancing creative objectives with defensible licensing, documentation, and long-term use considerations.
Jane Burke
Music Supervisor
PrimalHouse Media Group
Jane Burke is a skilled music supervisor at PrimalHouse Media Group with a deep knowledge of licensing, rights clearance, and copyright compliance for institutional and government clients. Jane works closely with government communications teams, public agencies, and educational institutions to identify music that serves their content goals while ensuring all usage aligns with copyright requirements, platform policies, and organizational risk standards. She brings a practical and compliance-aware approach to every project, helping institutions move from creative intention to defensible, fully licensed execution. Jane’s experience spans social media content, public service announcements, recruitment campaigns, and digital media productions, making her a trusted resource for communications teams navigating the music licensing landscape
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